| 黄成,杨程.高颐阙“典式”图像及文化内蕴考析[J].安徽建筑大学学报,2022,30(1):92-97 |
| 高颐阙“典式”图像及文化内蕴考析 |
| Analysis of the Archetypal Images and Cultural Connotation of Gaoyi Que |
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| DOI： |
| 中文关键词: 高颐阙 “典式”图像 礼制与玄学 思想信仰 |
| 英文关键词: Gaoyi Que archetypal images Rituals and Xuanxue philosophy ideology and belief |
| 基金项目:教育部人文社科研究规划基金项目（19YJA760022）；安徽省社科规划项目（AHSKY2019D076） |
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| 中文摘要: |
| 汉阙是我国文明史上保存最完整、最悠久的汉代建筑之一，而四川雅安高颐阙是中华汉阙之典范， 其建筑形制及其阙身图像反映出汉代玄学思想和社会形态。通过对高颐阙相关文献的整理研究及田野调查， 针对高颐阙中的“典式”图像展开具体研究，从图像符号学的视角考释高颐阙图像文化内蕴，进而展开对高 颐阙所表达的习俗与信仰，以及在汉代社会意识中的等级礼制与阴阳五行的的具体探究，由此窥见汉代的等 级制度、社会形态的神话论以及汉人对生死信仰的追崇。 |
| 英文摘要: |
| In the civilization history of China, Que, a kind of architectural form appeared in the Han Dynasty, is one of the most wellpreserved and time-honored architectures, among which Gaoyi Que in Ya’an, Sichuan is a typical one. Its architectural form and engraved patterns reflect the Xuanxue philosophy and the social forms of the Han Dynasty. Through the relevant literature and field survey, this paper investigates the archetypal images of Gaoyi Que, explains its cultural connotation from the angle of semiotics, and explores the customs, beliefs, rituals as well as Yin Yang & Five Elements in the Han Dynasty. Hence, the hierarchy of Han Dynasty, the mythologized social consciousness, and people’s view of life and death in that era are revealed. |
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