| 黄成.高颐阙“典式”图像及文化内蕴考析[J].安徽建筑大学学报,2021,29(): |
| 高颐阙“典式”图像及文化内蕴考析 |
| An Analysis of the Classical Images and Cultural Connotation of Gaoyi Que |
| 投稿时间：2021-01-10 修订日期：2021-03-10 |
| DOI： |
| 中文关键词: 高颐阙 “典式”图像 礼制与玄学 思想信仰 |
| 英文关键词: Gaoyi Que canonicalform pattern Rituals and Metaphysics ideological beliefs |
| 基金项目: |
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| 摘要点击次数: 2556 |
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| 中文摘要: |
| 汉阙是我国文明史上保存最完整、最悠久的汉代建筑之一，而四川雅安高颐阙是中华汉阙之典范，其建筑形制及其阙身图像反映出汉代玄学思想和社会形态。通过对高颐阙相关文献的整理研究及田野调查，针对高颐阙中的“典式”图像展开分析研究，从图像符号学的视角考释高颐阙图像文化内蕴。进而展开对高颐阙所表达的习俗与信仰，以及在汉代社会意识中的等级礼制与阴阳五行的的具体探究。由此窥见汉代的等级制度、社会形态的神话论以及汉人对生死信仰的追崇 |
| 英文摘要: |
| In the civilization history of China, the “watchtower in the Han Dynasty” is one of the most complete and time-honored architectures, among which Gaoyi Que in Ya’an, Sichuan is a typical one. Its architectural form and images reflect the metaphysical philosophy and social forms of the Han Dynasty. Through the collation of relevant literature of Gaoyi Que and field survey, this paper investigates the canonical image of Gaoyi Que, explains its cultural connotation from the angle of graphic semiotics, explores the customs and beliefs conveyed by Gaoyi Que and examines the hierarchical ritual system as well as Yin-Yang and Five Elements in the social consciousness of the Han Dynasty. Thus, the hierarchy of Han Dynasty, the mythological theory of social form, and the pursuit of the Hans for the faith in life and death can be revealed. |
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